Ch
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Trivikram Srinivas
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Two villages in Rayalaseema, Nallagudi and Kommadi are engaged in a feud for decades lead by Basi Reddy and Narapa Reddy respectively. The son of Narapa Reddy, Veera Raghava Reddy, returns from London after completing his education. Basi Reddy attacks and kills Narapa Reddy on their way home. Raghava instinctively takes a sword and kills his opponents. After talking to his grandmother about the feud, he realizes that violence became a way of life for the people in these villages and he leaves for Hyderabad seeking a solution to the feud. Raghava meets Aravindha in Hyderabad and falls in love with her. She strongly believes in solving problems without bloodshed and sets him on a path of self-discovery. He decides to return to his village and put an end to the feud.
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Tchaiko Omawale
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Following the death of her father, a 17-year-old girl is sent to live with her estranged family and finds comfort in a questionable friendship with a self-destructive neighbor, leading both on a startling path to self discovery.
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Jake Hickman
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From war, Japan began to show technological prowess like the world had never seen. After a shocking betrayal, Sony founded that which would become the world's most successful chain of videogame consoles. The PlayStation was here to stay. Production company: Entertain Me Productions Producers: Brian Aabech
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内详
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珀西在平安夜发现了一封不小心落在圣诞老人邮车里的孩子的信后，必须追踪圣诞老人。平安夜，珀西发现一封孩子写给圣诞老人的信被遗忘在他的邮车底部，但他决心纠正错误，即使这意味着要找到圣诞老人本人。在托马斯和他的朋友们的帮助下，珀西经历了令人眼花缭乱的游行、香甜的姜饼烘焙和漫天飞舞的雪花，寻求将信交给圣诞老人并实现孩子的圣诞愿望。
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奥利维尔·施耐德
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Soélie, a young motocross prodigy, sees her dreams of success shattered by an accident. She now devotes herself to training her brother, Michael. When he is recruited by TMAX scooter racers for a high-profile heist in Paris, Soélie must overcome her fears to save him.
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Myriam Verreault
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Two girls grow up as best friends in an Innu community. While Mikuan has a loving family, Shaniss is picking up the pieces of her shattered childhood. As children, they promised each other to stick together no matter what. But as they're about to turn 17, their friendship is shaken when Mikuan falls for a white boy, and starts dreaming of leaving the reserve that's now too small for her dreams.
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迪伦·皮尔斯
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汉娜·麦肯齐在不忙于沙龙工作的情况下经营婚纱的副业。什么时候威尔米灵顿,新娘帝国的继承人来寻求改造品牌。这两个人一起工作,甚至可能坠入爱河。这是另一部由公司制作的电视电影,其中马库斯罗斯纳是共同所有者与卷轴娱乐,显然M。罗斯纳是主角。它甚至拥有与前两部电影相同的导演和作家。从技术上讲,这部电影很好,除了音乐是有点没有灵感--还不错,可以通过,但在他们的目录中,罗的音乐更好。基本上,如果你看了(一些)北方网关电影制作的以前的电影,你不会看到任何新的东西,这是典型的加拿大自由主义制作的电视电影M。罗斯纳和他的公司-这实际上是一件好事,因为他们不假装是插入随机的美国城市,至少比以前的好。甚至有一点铸造回收。说到演员,我不知道为什么拉希农鱼的声音会因地而异。在一个场景是正常的,然后在下一个是高音调,然后再正常。对我来说这是个沉浸式杀手。我不记得上一次看电视电影的时候写了这么多可预测的东西。一个接一个的场景,我知道将要发生什么,但导演实际上执行脚本很好。我承认,第三幕有很好的惊喜和旋转,所以它(高度)预测到最后。不得不不要看拖车,因为由于某种原因,它的卵拖车必须显示整个电影压缩。
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文森特·阿兰达
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从在看到卡门（帕兹·维嘉 Paz Vega 饰）的第一眼开始，年轻的军长唐豪塞（莱昂纳多·斯巴拉格利亚 Leonardo Sbaraglia 饰）就坠入了卡门用美艳和欲望所编制的陷阱之中。为了和卡门双宿双飞，他毫不犹豫的抛弃了乡下温柔贤惠的情人，不仅如此，在卡门身陷险境的时刻，唐豪塞伸出了援手，同时也断送了自己的大好前程。 和卡门在一起之后，唐豪塞似乎就没有走运过，在经历了牢狱之灾后他加入了卡门所在的走私团伙。天性奔放自由的卡门对唐豪塞的态度渐渐的冷淡了下来，讽刺的是，她对斗牛士埃斯卡米里奥（Antonio Dechent 饰）的态度倒是热情的很，忍无可忍的唐豪塞决定要与埃斯卡米里奥决斗，一场悲剧眼看就要发生。
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罗伯特·大卫·波特
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It follows four American soldiers set out on the grueling ascent of an Italian mountainside in the closing days of WWII, haunted by their evil sergeant’s cold-blooded murder of a young woman and with an old Italian man of uncertain loyalties as their guide. 电影讲述四名美国士兵在二战最后几天，在意大利山腰的艰苦攀登中，被一名邪恶冷血的军官捕获，后来得到一位意志不明的忠心耿耿的老人作为他们的引路人。
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埃德瓦·贝耶
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An old Parisian bistro with eternal charm. Eight gentlemen around the table, eight great figures. They were the kings of Paris and national treasures, they are now endangered masterpieces. In this well-established ritual, their sense of humor and self-mockery remain intact. Tender and cruel, these eight old friends hate and love each other. When suddenly, an intruder appears…
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纳卡什·哈立德
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20-something Aden has no other ambition in life than to become an actor. Most of his time is spent making videos as he applies for roles he’ll never get. After a string of dreadful auditions, where bizarre and humiliating requests are made of him, he comes up with a radical move: he will take full responsibility for finding a role that primarily he, himself, wants to play. This self-assured debut, playful in form and narrative with a fairy-tale edge to it, examines both the commercial work ethic and the concept of identity, which it presents as multilayered and also questionable. At the same time, in its exploration of the given themes, the film doesn’t deny itself a socio-critical tone, nor does it resist the temptation to tease the viewer a little.
