亚
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保罗·托马斯·安德森
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1949年,太平洋战争已经结束,备受军中无聊生活困扰的弗雷迪·杰奎(华金·菲尼克斯 Joaquin Phoenix 饰)终于返回美国,然而返家前的精神治疗没有给他实际的帮助,弗雷迪陷入了一种恍惚乏味的人生体验无法自拔。次年,在经历了一系列工作失败后,弗雷迪在醉后登上的客 船上结识了经历复杂的“大师”卡斯特(菲利普·塞默·霍夫曼 Philip Seymour Hoffman 饰)。卡斯特建立在时间理论之上的精神治疗法引起了弗雷迪的兴趣,在卡斯特的“引诱”下,弗雷迪尝试敞开心扉,寻求解决自己的问题,并越来越亲近卡斯特松散的“缘教”组织,为其摇旗呐喊、打击异议者。在“治疗”过程中,弗雷迪与卡斯特的关系分分合合,愈发复杂……
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伊恩·邦霍特,皮特·艾德盖
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黑暗,骷髅,浪漫,天马行空,这是人们想到英国著名时装设计师亚历山大·麦昆时,脑海中瞬时浮现的词汇。这位曾享誉全球,同时也争议缠身的时尚坏小子,于 2010 年在母亲葬礼前夜自缢身亡,年仅 40 岁,留给世人无尽猜想和怀缅。在他身故 8 年后,备受瞩目的个人纪录片今春亮相纽约翠贝卡电影节,以特殊的录像带形式,划分开 Lee(麦昆原名,亲友对他的爱称)短暂一生的不同节点,让人窥见一代奇才丰富曲折的内心。从伦敦东区普通的工人家庭到巴黎、伦敦等地的顶级秀场,反叛惊艳的才华令他一时风头无量,成为重塑流行文化观念的时代旗手。而在光环和盛名之下,抑郁症的长期压迫与亲故相继离世,也让他在世界最热闹拥挤的中心,体味着过山车俯冲般高速坠落的孤独。
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肯尼思·布拉纳
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在还是王子的时候,亨利五世(肯尼思·布拉纳 Kenneth Branagh 饰)过着非常奢靡的生活,整日沉浸在声色犬马之中,完全不问朝政。然而,父亲的死给亨利五世带来了极大的震撼,在父亲的坟墓前,他痛定思痛,决心背负起身体一名国王的全部责任。 彼时,法军入侵英国,亨利五世带领着他的军队奋起反击,在情势极为不利的情况之下最终夺得了这场战役的最终胜利,这场伤亡惨重但精彩无比的战争被后世称为阿金库尔战役。在打败了法军之后,亨利五世也并没有对战败方赶尽杀绝,而是提出了英法政治联姻,迎娶了美丽的法国公主凯瑟琳(艾玛·汤普森 Emma Thompson 饰),成就了一段佳话。
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Sam Feder
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《揭开面纱:好莱坞的跨性别人生》以前所未有、令人大开眼界的方式探讨了电影和电视剧中对跨性别者的描绘,揭示了好莱坞如何同时反映和制造我们对性别最深层的焦虑。 包括拉弗恩·考克斯、莉莉·沃卓斯基、恩斯·福特、MJ·罗德里格斯、杰米·克莱顿和查兹·波诺在内的跨性别思想家和创意人士,分享了他们对一些好莱坞经典片段的反应和抗拒。 通过《弗州迷魅》(1914)、《热天午后》《哭泣的游戏》和《男孩别哭》等电影,以及《杰斐逊一家》《拉字至上》和《姿态》等节目,他们追溯了一段既无人道又不断发展、复杂、时而幽默的历史,从中可以一窥屏幕上的跨性别形象、社会看法和真实跨性别生活之间的相互影响。导演萨姆·费德尔以崭新的视角重塑了熟悉的场景和标志性人物,让观众面对未经检验的假设,并展示了曾经引起美国人遐想的事物如今如何引发新的感受。在我们如何看待和理解跨性别者方面,《揭开面纱:好莱坞的跨性别人生》引发了一场惊人的革命。
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路易斯·普恩佐
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When school teacher Harriet Winslow goes to Mexico to teach, she is kidnapped by Gen. Tomas Arroyo and his revolutionaries. An aging American, Ambrose "Old Gringo" Bierce also in Mexico, befriends Gen. Arroyo and meets Harriet. Bierce is a famous writer, who knowing that he is dying, wishes to keep his identity secret so he can determine his own fate. Though he likes Arroyo, Bierce tries to provoke the General's anger whenever possible in an attempt to get himself killed, thus avoiding suffering through his illness. Winslow is intrigued by both Bierce and Arroyo, and the men are in turn attracted to her. She becomes romantically involved with Arroyo. When Winslow learns of Bierce's true identity (a writer whose work she has loved and respected for years), she is singlemindedly determined to fulfill his dying wish.
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帕特里西亚·玛佐
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The film (and the acting) is superbly done, but the story is intense. I like it for its' dark, thick, "Cul du Sac" psychology but it is certainly not for everyone for that very reason. Set in isolated, rural France makes this film all the more desperate. The film is about strenuous relationships, loyalty - and despair. It is about accepting hardships without really understanding them. It is also about pity and how it is to be distinguished from love and admiration. I've seen many French films with the same intensity and I'm guessing that it will be mostly the French who will enjoy this film. The acting is superb in this film – if you're in the right state of mind and don't loose your concentration. Jean-François Stevenin ALWAYS impresses me. He doesn't disappoint me here either. For general audiences, however, I'd recommend his performance in "Deux Lions au Soleil" which is much more easily palatable than "Peux de Vaches". Despite the fact that I like "Peux de Vaches", I have difficulties recommending it to anyone other than French audiences and perhaps someone with a morose demeanor.
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盖瑞·尼尔森
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Get Smart, Again! is a made-for-TV movie based on the 1965-1970 NBC/CBS television series, Get Smart!, which originally aired February 26, 1989 on ABC (ironically, the network that rejected the original pilot for the Get Smart! TV series). It has subsequently been released twice on DVD by different publishers. In the video release of the movie, the background canned laughter (pre-recorded laughter added later to the soundtrack), is absent. Overview Differences between Get Smart, Again! and The Nude Bomb The film is not as well known as the earlier theatrical release, The Nude Bomb, also based on Get Smart, but was better received by fans of the original program. Unlike The Nude Bomb, which featured only the characters of Smart, The Chief (with Dana Elcar replacing the deceased Edward Platt), Agent 13 (Dave Ketchum in the series, portrayed by Joey Forman in The Nude Bomb, who had played the character Harry Hoo in the series) and Larrabee, Get Smart, Again! featured all of the surviving original cast reprising their roles. The tone and feel of Get Smart, Again! were also closer to that of the original series. Get Smart, Again! was written and produced by Leonard Stern, who was a producer of the original series. One element of the Nude Bomb ignored completely was the renaming of CONTROL as PITS in the earlier film; although as CONTROL is said to have disbanded in the 1970s, it's not impossible for both CONTROL and PITS to exist within the continuity of the franchise. Barbara Feldon's character, 99, makes a reference to T.H.R.U.S.H., the evil organization in The Man From U.N.C.L.E., a show on which Feldon guest-starred. Theme music Get Smart, Again! also reprises the TV program's original theme music and opening credit sequence, which were absent from The Nude Bomb. In this case, however, the corridors were covered in cobwebs and the phone-booth elevator that led to CONTROL headquarters worked in reverse, causing Smart to be thrown to the top of the booth. Synopsis Maxwell Smart, acting as a protocol officer since CONTROL was disbanded in the early 1970s, is reactivated as a counterintelligence agent by Commander Drury (Kenneth Mars) of the United States Intelligence Agency. KAOS, long considered defunct, has been revitalized by a corporate takeover. Its first scheme involves turning a forgotten American scientist and using his weather control machine to extort $250 billion US dollars from the United States Government. Drury, convinced that only Smart has the expertise to combat KAOS, gives him carte blanche to reactivate former CONTROL agents to assist him in his task. Along with Drury's bumbling aide, Beamish (Steve Levitt), Smart recruits Larrabee (who, believing that he was under orders from Richard Nixon to stay at his post until relieved, has been living in his office in the now-abandoned CONTROL headquarters tending his office plants), Agent 13, Hymie the Robot (now employed as a crash test dummy) and ultimately, his wife 99 (Barbara Feldon) to find the security leak that allowed the scientist to defect, locate the weather machine and disarm it. They are opposed by KAOS moles within the USIA, who are able to predict Max's every move with the aid of stolen copies of 99's unpublished memoirs. The visible head of the KAOS scheme is revealed to be Max's old nemesis, Siegfried, but he is merely the agent of a higher executive whom even he has never met. This higher power is finally revealed as Nicholas Demente (Harold Gould), 99's publisher, who intends not only to extort the money but also to create weather that will keep people eternally indoors and interfere with television reception, forcing millions to entertain themselves by buying Demente's books and publications. Comedic style The script is littered with typical Maxwell Smart verbal gags, and large portions of the plot serve only as set ups for Get Smart!-style sight gags (such as a duel between Max and a KAOS hitman using remote controlled file cabinet drawers). The film also features the array of bizarre gadgetry and political satire that were hallmarks of the original series. The cone of silence has been superseded by "Hover Cover" where a meeting is held on a rooftop with three helicopters hovering overhead. The failure of Hover Cover leads to the development of "The Hall Of Hush",a soundproof room where words print out silently in mid air, a success at first until the words begin to print forward, backward and on top of each other. Max changes the well known quote "Dr. Livingstone I Presume" to "Dr. Hottentot I Presume". 1995 revival The relative success of the film prompted the development of a short-lived 1995 weekly series on FOX, also titled Get Smart, with Don Adams and Barbara Feldon reprising their characters as their bumbling son, Zach (Andy Dick), becomes CONTROL's star agent. 原班人马啊,好想看。TAT
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迈克·菲吉斯
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新任视察员雷蒙特和助手艾米奉命调查警察局内部一起贪污案时,发现了另一个更加隐秘的犯罪网,涉及到了声望很高的警官佩克。佩克实际上是个十分阴险的人,他一面与雷蒙特装作友好,一面又挑拨雷蒙特夫妻间的关系。调查中发现佩克有很多女人,且凡是与他交往密切的警察都很富有。被怀疑有贪污行为的斯德雷奇打电话给妻子彭妮,让她与雷蒙特做一笔交易,而此时彭妮正和佩克情意绵绵,佩克于是派人暗杀了斯德雷奇。实际上佩克一直在充当受雇杀手,就在他又去接受一起杀人买卖时,雷蒙特和艾米赶到现场,但未能抓到他。随后,他又杀死雇主,并到雷蒙特家中恐吓他妻子凯瑟琳,雷蒙特及时赶来,二人又展开一场拚杀。






























